foto Simone Bossi
foto Simone Bossi
CASA AG
​
faircompanies video
world-architects
dezeen 2017.06.11
divisare homepage 2017.03.30
architettura italiana homepage 2017.01.18
divisare journal n. 135
divisare journal n. 178
archiportale 2017.02
simpleflair 2017.02
archdaily 2017.02.23
thisispaper 2017.01.30
dwell 2017.02.08
gooood 2017.03.16
journal du design 2017.01.31
interiores minimalistas 2017.03.10
simplicitylove 2017.02.17
interiors n. 26 pp. 74-79
architizer featured on 2017.07
ristrutturare on web
CASA AG
​
faircompanies video
world-architects
dezeen 2017.06.11
divisare homepage 2017.03.30
architettura italiana homepage 2017.01.18
divisare journal n. 135
divisare journal n. 178
archiportale 2017.02
simpleflair 2017.02
archdaily 2017.02.23
thisispaper 2017.01.30
dwell 2017.02.08
gooood 2017.03.16
journal du design 2017.01.31
interiores minimalistas 2017.03.10
simplicitylove 2017.02.17
interiors n. 26 pp. 74-79
architizer featured on 2017.07
ristrutturare on web
CASA TL
​
Divisare homepage 2017.02.10
architettura italiana homepage 2017.02.10
simplicitylove 2017.05.07
L'appartamento è parte di un edificio costruito verso la fine del Settecento nella zona nord della città di Varese. L'impianto originario ha saputo valorizzare le qualità del contesto ambientale, instaurando un dialogo continuo tra intorno e costruito. Già dimora di una ricca famiglia milanese il complesso è stato oggetto di una ristrutturazione con la conseguente suddivisione in singoli appartamenti.
SAN ARIALDO CHAPEL
San Arialdo is the name of a small chapel located in Velate, a small community in Varese.
It was presented to us as a lecture room in the parish house used by the children to prepare the communion.
The room, modest and simple in its shape, spontaneous in its furniture, though flooded by an intense natural light, has been used in the previous years as a space where a small group of believers gathered to pray. Among them a careful and sensible person residing in the community, addressed our studio to do a requalification project.
The appeal of the place was immediately obvious so our first approach was to listen respectfully with the aim of maintaining the historic memory and the spontaneity of the place.
The project’s aim has been to understand the spirit of the space, reorganizing it and emphasizing the quality of the light coming from the southern wall which is completely windowed. The choice was to realize some wide frames upholstered by white textile in order to regulate the sunbeams during the various hours of the day creating a celestial nave in the direction of the alter.
The holy furnitures have been redesigned conserving only the original benches with their canonical shape and their dark color which seem to request remaining fastened to the existing floor.
A wooden cross, created by the artist Giorgio Vicentini, is placed on the wall behind the alter. In the tension and vibration of its shape it appears as an admirable summary of the honest and original auspices which the cross symbolize.
​